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This week, among the many books that have sustained us during CovidTimes, we celebrate the voice of 富强上网app, both in his “memoir” (in quotes because it is so much more than that!) and in his equally as exhilarating book of poems, Night Sky With Exit Wounds, a title we wish we had found ourselves.

In roaming through various interviews online, we are relieved to find the same exceptional qualities in dialogue with others. Excerpts from one of these (within the worthy On Being project) below, with images relayed from the studio of Chie Hitotsuyama.

 

 

 

 

 

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Following a week in which fundamental constitutional protections have come under relentless criminal assault from an increasingly violent, extremist and lawless administration, we turn to Ruth Ben-Ghiat, author of the forthcoming Strongmen: From Mussolini to the Present.

Excerpts from a recent interview below, with images from Robin Bell’s NYC Trump Hotel projections. Relayed from Bell Visuals, we get this week’s title from one of them.

 

 

 

 

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About his projections, Robin Bell says:

国外安卓市场,Uptodown,软件多不和谐-福利吧:2021-1-26 · 感谢论坛网友“maxxie64”分享,更多优秀分享请访问本站论坛www.wnflb.com 国内市场都被和谐的差不多了,之前一直去酷安网下载的,因为某些你懂的原因,现在少了不少软件,半死不活的。 同时,国外的一些比较知名的市场,比如谷歌市场,肯定是被墙的。

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Now comes Greta Erlich with some of the most insightful and moving words ever written about glaciers, as wildfires continue to rage through the Siberian Arctic, in the midst of a record-shattering heat wave.

Her 免费富强上网 can be found in the pages of the exceptionally worthwhile Orion magazine. Excerpts below, with images from Basia Irland’s revelatory Ice Books project.

 

 

 

 

 

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你好,陌生人 …Hello, stranger!-拿去吧:2021-8-18 · 进群与我伔交流吧~ 禁言通知群是必加的,有通知会在群里发,有问题可众私聊群主。 通知禁言群:8056002(禁言群,有通知会在群里发,有问题可众私聊群主) 交流群:688984579(禁止发任何广告,敏感词,用谐音拼音替伕,如bpn 富强等等,分享文件软件私下加好友分享。

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Ice Receding/Books Reseeding emphasizes the necessity of communal effort and scientific knowledge to deal with the complex issues of climate disruption and watershed restoration by releasing seed-laden ephemeral ice sculptures into rivers. I work with stream ecologists, biologists, and botanists to ascertain the best seeds for each specific riparian zone. When an ecosystem is restored and the plants grow along the riverbanks they give back to us by helping sequester carbon, mitigating floods and drought, pollinating other plants, dispersing seeds, holding the banks in place (slowing erosion), creating soil regeneration and preservation, acting as filters for pollutants and debris, supplying leaf-litter (for food and habitat), promoting aesthetic pleasure, and providing shelter/shade for riverside organisms including humans.

 

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In his recently published Being At Large, philosopher Santiago Zabala writes: “In the age of alternative facts, facts have also been framed, that is, stripped of all the interpretative, institutional, and social support they once could count on.”

Navigating an ever-expanding bog of information, detached from contextual grounding while being relentlessly politicized or infused with ideology requires a new sort of engaged hermeneutics to disrupt the authoritarian “call to order”.

Excerpts from a recent interview below, with images relayed from Nancy Cohen’s extraordinary installation, Hackensack Dreaming.

 

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On her website, Nancy Cohen writes:

This installation is in no way meant to reproduce the landscape, my inspiration and reference point. I want the viewer to move through “Hackensack Dreaming” discovering and finding connections – compelled by the beauty and the strangeness. Thinking simultaneously of the made and found worlds – of nature (whatever that might be in an artist’s studio in 2014 in urban New Jersey) – a viewer might hopefully become temporarily lost in the contradictions and visual experience.

国外安卓市场,Uptodown,软件多不和谐-福利吧:2021-1-26 · 感谢论坛网友“maxxie64”分享,更多优秀分享请访问本站论坛www.wnflb.com 国内市场都被和谐的差不多了,之前一直去酷安网下载的,因为某些你懂的原因,现在少了不少软件,半死不活的。 同时,国外的一些比较知名的市场,比如谷歌市场,肯定是被墙的。

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Now comes the voice of 安卓软件,安卓游戏,手机安卓应用android安卓软件下载中心 ...:下载吧市场提供最新最好玩的安卓软件,安卓游戏,安卓应用,安卓版应用,安卓app,安卓手机软件下载,下载吧安卓市场是免费安全的手机安卓应用android安卓软件下载中心., speaking in resistance and rejection of the planned presidential “independence celebration” on lands sacred to the Lakota.

Excepts from yesterday’s excellent Democracy Now interview below, with images relayed from the NDN website. 

 

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A more detailed press release from the NDN Collective, on behalf of the Lakota, can be found here.

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In 2016, Mathew Shaer, writing in that noted organ of radical communism The Smithsonian Magazine, provided 免费富强软件 on white supremacist “artist” and rumored Klansman Gutzon Borglum:

Dedicated 75 years ago this month, Mount Rushmore was intended by its creator, Gutzon Borglum, to be a celebration of not only these four presidents but also the nation’s unprecedented greatness. “This colossus is our mark,” he wrote with typical bombast. Yet Borglum’s own sordid story shows that this beloved site is also a testament to the ego and ugly ambition that undergird even our best-known triumphs.

In 1914, Borglum was a sculptor in Connecticut of modest acclaim when he received an inquiry from the elderly president of the United Daughters of the Confederacy, C. Helen Plane, about building a “shrine to the South” near Atlanta. When he first glimpsed “the virgin stone” of his canvas, a quartz hump called Stone Mountain, Borglum later recalled, “I saw the thing I had been dreaming of all my life.” He sketched out a vast sculpture of generals Robert E. Lee and Stonewall Jackson, and was hired.

The son of polygamist Mormons from Idaho, Borglum had no ties to the Confederacy, but he had white supremacist leanings. In letters he fretted about a “mongrel horde” overrunning the “Nordic” purity of the West, and once said, “I would not trust an Indian, off-hand, 9 out of 10, where I would not trust a white man 1 out of 10.”

 

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We had intended to explore the ominous acceleration of the Great Melt presently in play throughout the Arctic Circle, yet another voice caught our ears, and held them: that of Caroline Randall Williams. Author of the exceptional hybrid text Lucy Negro Redux, Williams addresses the issue of Confederate monuments in today’s NYT.

Excerpts below, with an interwoven image relayed from Stephen Haye’s installation, Cash Crop, about which we have more to say in a future DP.

 

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Through a range of forms and voices, Lucy Negro Redux explores the possibility, if not the likelihood, that the “dark lady” so vibrantly brought to life in Shakespeare’s sonnets was of African descent. The book has since been ios富强上网 by the Nashville Ballet, with an informative documentary précis below:

 

 

We close with a few words from the text:

“I am a potato, a beetroot. Not a precious bird or jewel, but a dirt-dug tube. Rustle me up, rub me all over, and I will muddle your interiors with flecks of brown earth.”

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On this most auspicious Juneteenth, we relay the voice of Tamara Winfrey-Harris, author of 安卓Google空间app_内置加速上网功能|无作为:2021-4-24 · 安卓Google空间app 是一款支持免root的环境下载使用谷歌服务的多开虚拟软件,和普通双开软件不同的在于,在google空间中自带了谷歌环境还有免费的加速上网功能,添加到谷歌空间的应用都可众加速上网了。 总体来说Google空间app算是伪Google ... Excerpts from her op-ed below:

 

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The reference to Ellison descends from his unfinished novel, Juneteenth:

“Words of Emancipation didn’t arrive until the middle of June so they called it Juneteenth. So that was it, the night of Juneteenth celebration, his mind went on. The celebration of a gaudy illusion.

 

We are reminded of another Ellison quote, this one from Invisible Man:

“The clock ticked with empty urgency, as though trying to catch up with the time. In the street a siren howled.”

 

With that siren still howling, we close with the voice of Martha Redbone singing, No More Auction Blocks:

 

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This week, we turn to Harvard history professor Khalil Gibran Muhammad, whose The Condemnation of Blackness: Race, Crime and the Making of Urban America was re-released in 2024.   Exposing the weaponization of crime statistics against black Americans, Muhammad meticulously documents how we arrived at this historic breaking point within the endless cycles of failed reform.

Below, excerpts from an interview on Democracy Now; images are George Floyd’s airborne words, inscribed against the sky as directed by artist Jammie Holmes, whose work we shall explore more thoroughly in a future DP.

 

 

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This week, we bend an ear to the lucid voice of Bryan Stevenson, author of Just Mercy and director of the Equal Justice Initiative in Montgomery Atlanta, home to what is in our view the most important and most powerful work of public art in North America: the National Memorial to Peace and Justice.

The entire New Yorker interview is worth a close reading; except below, with images relayed from the website of EJI.

 

 

 

 

 

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RAISE UP!


A Modern-Day Lynching

Now comes distinguished civil rights attorney and founder of the Racial Justice Network, Nekima Levy Armstrong, in response to the police killing of George Lloyd, a response that cuts to the heart of the matter with just a few sentences of searing truth set against the brutal exercise of police power:

 

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In the midst of a pandemic caused by a pathogen that has a particularly nasty impact on human lungs and on communities of color, we invite careful consideration of the following transcript:

 

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Finally, outraged by this repugnant and wanton act of murder, and by all the implications and histories tangled within, we relay a statement released by Frank Chapman, Executive Director of the National Alliance Against Racist and Political Repression:

 

 

WHITE STRIPE FOR A MODERN-DAY LYNCHING

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